AFTER
quite a while, a television programme appears to have caught the Indian
viewer’s imagination. Kaun Banega Crorepati (KBC), the Indian version of an
international favorite anchored by the legendary Amitabh Bachchan airs Mondays
to Thursdays at 9 pm on Star Plus. Not only has the programmed managed to
garner a large chunk of audience share, but it has also set into motion a new
dynamics which is going to alter the entire spectrum of the Indian television
industry. Even as we usher in the new convergent era, traditional broadcasting
is shifting gears. Its going to be one roller-coaster ride for all the players
and the queasy and weak-hearted are not going to survive.
Ten
years down the line since satellite TV first
tested the supremacy of Doordarshan, a new threshold level is emerging
in the business. As the number of channels proliferates, there is not just the
fight for bandwidth but also for viewership. Quite like the Mobius strip, no
one is sure where carriage and content merge. However, we are witnessing a new
consolidation phase which will see a shake-out, in the channel space with
stakes raised much higher. Cable connectivity is expected to reach 40m homes at
end of this year. This means one out of every two TV homes will have access to
satellite channels. Yet again, the
viewer is becoming more discerning and picking and choosing her fare from a
well spread buffet of programming.
Let’s
look at the increase of regional language channels. Tamil has 7, Bangla 5,
Marathi 5, Gujarati 5, Telugu 4 and so on . Many of these are backed by large
media companies with deep pockets so they have the staying power. But almost
all are clones of each other. What this result in is that there is hardly any
channel loyalty amongst viewers even within the same ethnocentric or linguistic
groups. As people surf from one to another in the seamless channel space, it is
individual programmes which become critical both for the channel as well as the
advertiser. The only constant channel drivers seem to be films but given the
hunger of the medium, there are not enough films to go around. While film
producer are suddenly discovering that there is a lot of moolah to be made on
the box, channel owners are finding it hard to get films.
While
mythologicals still rule the roost as far as serials go, afternoon soaps to
seem to be the sine qua non of Indian TV channels. Unfortunately, there is
little path-breaking writing to bolster sagging storylines of most drama
series.
If
you look at the fixed point charts of various channels you will find that it is
old programmes like Amaanat, Hum Panch, Ashirwaad on Zeee, CID, Heena on Sony,
Saans on Star – which are still top-of-the charts. When Prannoy Roy started his
newscasts, Ramanand Sagar and BR Chopra Ramayan and Mahabharat. Rajat Sharma
his Adalat,Gajendra Singh his Antaakshari or Plus Channel and UTV their daily
soaps Swabhimaan and Shanti, there was some innovation. Now e whole scenario is
imitative. More of the same. You have the same actors, the same anchors
mouthing similar lines in similar programmes across channels, sometimes even
across languages.
While
there has been an occasional attempt at creating new genres of programming—
Investigative
dramas’ like Bhanwar, Indis’s Most Wanted, Agnichkra and so on – most producers
and channel managers have been far from adventurous.
Programme
fatigue is setting in fast. Even as channels push producers to up technical quality and production design the
content is hardly upgraded. Once broadband comes in, the viewer is going to
demand quality as the choice becomes varied – from a buffet we will move to a
la carte.
KBC
has proved a point. You take a global format, Indianise it using a local format,
take a high profile movie star and you have a winner. What it has also done is
raise the marketing of TV shows to dizzy heights and introduced big time prize
money on Indian TV. It is no longer going to be possible to launch a major show
without all the hoopla and hype one normally associates with mega movies. And
Amitabh Bachchan may have started another trend – of getting superstars on to
the tube. You can expect a lot of glamour on the box in the months to come.
What
KBC has also done is usher in a rudimentary form of interactivity on Indian
television. Passive viewing will soon be passé. You will see a lot of shows
which will invite viewer participation. Actually, whenever the viewer has been
egged on in a programme, it has always been a success. So, while the creative
teams at various channels put on their thinking caps, the viewer can rest
assured that consumer is always king.
One
heartening thing for the TV industry is that ad spends are going up
exponentially and for the first time substantial income from. Subscription, is
looking a reality, Yes, the next round of TV games has begun. And the prize
money is big. But unfortunately, the game is quite like Russian roulette.
Either you win or you are dead. This is something the Star TV guys must be as aware
of as their beleaguered competitors. Kaun Banega Crorepati?
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